Unveiling Nick Taylor's Filmmaking Career

Dive into Nick Taylor’s filmmaking career, a journey that spans over 40 years in the entertainment industry. As a multi-talented actor, writer, director, and producer, his contributions to film, television, and theater reflect his passion for storytelling and his commitment to excellence in every project he undertakes.

In the early 1980s, Nick Taylor started as a handyman at New York‘s Actors Playhouse. Meeting Harvey Fierstein during the debut of Torch Song Trilogy was a pivotal moment that influenced Nick Taylor’s filmmaking career. Years later, this connection led to a collaboration with Fierstein and Danny DeVito on Death to Smoochy (2002), highlighting the trajectory of his evolving career. 

Nick Taylor made a strong impression in the late 1980s with his first television commercial for CBS-FM, playing a singing short-order cook. In the early 1990s, Nick transitioned into filmmaking, writing and directing the short film Rocky & Bullwinkle: One Last Story (1991), an achievement that helped establish him as an award-winning independent film director.  

Nick Taylor’s filmmaking career was complemented by his work on stage in regional theater productions like Wait Until Dark and American Buffalo. Alongside his theatrical pursuits, he landed the role of Smitty on the popular ABC-TV soap One Life to Live (1968). In 1995, Nick took a significant step behind the camera as co-producer of the award-winning documentary Special K, which was broadcast on PBS. 

Driven by his love for indie film, Nick co-wrote and directed A Clown in Babylon (1999), his first feature that became a cult favorite in underground circles. This bold debut marked a defining moment in Nick Taylor’s filmmaking career. Alongside his filmmaking, he explored stand-up comedy on the New York City circuit.

As an award-winning independent film director, Nick also earned recognition for his acting work, appearing in Mark Eisenstein‘s anti-war film God Is on Their Side (2002) alongside David Johansen, and playing Ed Bergen in Sidney Lumet‘s 100 Centre Street (2001). 

Nick Taylor made a memorable impact in 2003 when he originated the role of Mickey in World War Now, sharing the stage with Edward Asner and Estelle Parsons. Directed by Tom O‘Horgan, the play celebrated O‘Horgan’s 40-year collaboration with La MaMa, the iconic experimental theatre in New York City, where the production premiered. 

As Nick Taylor‘s filmmaking career continued to expand, he also found success on television—appearing in Barry Levinson‘s The Jury (2004) as Tom Gillis, and later as Rudy in the critically acclaimed series The Sinner (2018) on USA Network. 

Nick Taylor‘s filmmaking career is defined by bold choices and authentic storytelling. Over the years, he has shared the screen with notable names like Adam Sandler in Reign Over Me (2007), Sally Kirkland in Oak Hill (2008), and Sarah Silverman in I Smile Back (2015). Expanding his creative portfolio, Nick wrote and directed the independent short Call Me Beekman (2018), a project that highlights his distinct narrative voice and stylistic vision.

His journey as a filmmaker, actor, and director is fueled by a deep passion for craft and a fearless approach to storytelling. Nick’s work consistently challenges convention while remaining grounded in emotional truth. See Nick’s film noir catalog and find out how his storytelling has evolved.